After two months of summer silence Play a Song For Me is back! The excitement is palpable. Here is a song I love, from the new Washed Out album Paracosm
Glasgow quartet Quickbeam are a band I’ve followed for over a year now, after first seeing them play some stunning music – the dreamy ‘Seven Hundred Birds’ springs to mind – at a gig near Inverness. Describing themselves atmospheric/cinematic, their music is immersive, delicate and beautiful. They are on the cusp of releasing a beauty of a debut album, more on that below.
Guitarist and singer Andrew Thomson shares a musical treasure of his own, Scottish indie rock band AC Acoustics, for the Play a Song For Me archives.
Quickbeam Play AC Acoustics – She Kills For Kicks
There are many things that appeal to me about this track. I’m a sucker for its relentless simplicity and its unforgiving repetition of the vocal, string and drum phrases. There is also an overriding dark, almost ghostly atmospheric that is so apparent in a lot of their work. Its a track that I always feel should have been massive. AC Acoustics always had a reputation of being this incredibly unlucky band when it came to the music industry. Maybe so, but ‘She Kills For Kicks’ is a triumph as far as I’m concerned. It’s an anthem, albeit a dark one, but one that I often put on and never tire of. This is a band that I don’t want to be forgotten.
I always admired Paul Campions lyrical style. It’s incredibly poetic, very often obscure and always flows beautifully. Equally it has a steam roller like unrelenting, unstoppable force that holds your ear and doesn’t let you turn away. ‘She Kills For Kicks’ is a great example of this. It just doesn’t stop, it wont allow it. Each verse joins with the previous through repetition of the last line which works perfectly.
For me, ‘She Kills For Kicks’ is the highlight of a wonderfully diverse and undoubtedly accomplished album. I always come back to this album and in particular this track. Although it is now around thirteen years old, and the band are long since split up, it still sounds so current. As does the whole album. Please come back AC Acoustics, for one last encore.
For more visit the band here
The Besnard Lakes new album Until in Excess, Imperceptible UFO came out this week on the Jagjaguwar label, keepers of an roster including the excellent Unknown Mortal Orchestra and Sharon Van Etten. The space related title might reflect the album’s atmospheric soundscapes, ever so delicately woven.
Here’s what I know…
The Montreal born soft-rock act was first formed in 2003 by husband and wife duo Jace Lasek and Olga Goreas who later fused with now longtime bandmates Kevin Laing and Richard White. Their fourth album it was recorded in Breakglass studios, Montreal and features several accomplished musicians.
All eight tracks hold something distinctively their own. At almost seven minutes long – an duration average of the album – ’46 Satires’ might not be the most obvious choice for an opener, however it’s entrancing undulating melodies spin round an ethereal vocal. ‘The Specter’ has echoes of dusky eighties melodies, while ‘At Midnight’ builds into cleverly effective penetrating vocals. First single ‘People of the Sticks’ is the most commercially friendly choice, while closer ‘Alam0gordo’ leans towards a darker sonic instrumentation that proves oddly captivating.
Your world is one of unrushed daydreaming.
The band play Stereo in Glasgow on 24th May, as part of their European tour. Teeny venue = likely to be a great show.
Check out the band’s website for more.
More specifically the recently released Wild Nothing album Nocturne, eleven new tracks gifted from Jack Tatum’s Virginia based band. Sure there are some overly swishy, looped beachy moments and it has an unmistakable eighties throwback – but Nocturne makes it possible to live in a dream pop bubble.
Its autumn, soon to get dark before 5pm and time to rock chunky knitwear – who doesn’t want that?
Stream all the loveliness right here: