Elephant Micah Plays…KLF

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Elephant Micah aka Joe O’Connell is an artist I was hugely excited to discover.  The multi-instrumentalist from Indiana writes and sings proper songs, the type that make you catch your breath, cry or smile wryly to yourself. Considerately and poetically penned and – although experimental in parts – they possess an old fashioned gravity.

As a musical entity Elephant Micah spans over a decade, from the debut LP Low Energy Dance Music in 2002 to the latest endeavour Globe Rush Progressions. Here Joe talks about an intriguing influence, notorious acid house pioneers The KLF and their classic album Chill Out, recorded live in 1989.

Elephant Micah

Elephant Micah Plays…KLF ‘Chill Out’

I was doing some free-form internet searching on “ambient music.”  I wanted to know what albums people consider to be part of the “ambient” canon.  A citation of the KLF caught my attention.  Is this the same 1990s pop group that set fire to a million pounds sterling?  My focus shifted entirely to the KLF—their ideas, their antics, and their music.  The group’s story continues to hold my attention.

Chill Out belongs to a tradition of club music for relaxation and repose, styled in contrast with dance music itself.  The KLF designates the sheep as Chill Out totem animal.  Sheep occupy the album cover, resting at pasture, and the early moments of the album audio, bleating in a call-and-response with their human shepherd.  In addition to appreciating this album as a work of sound collage (mixed live from mostly pre-recorded sources), I take interest in it as a kind of “techno pastoral”—an idealization of the countryside by electronic musicians.

Check it out the album here:

You can listen to Joe’s most recent Elephant Micah release ‘Globe Rush Progressions’ below, ‘Marie’s Hair’, ‘Ever Greener’ and the jingle bell tinkling ‘Jesus Christ’ are my personal highlights.

I’m also a huge fan of this collaboration with Hiss Golden Messenger

…and this track from 2012 release Louder Than Thou. If that’s not enough to make you buy the entire backcatalogue more fool you.

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Pick Of The Past

This is little Play a Song For Me’s 100th wordpress post! A tiny figure for some, for me an occasion akin to getting an ice cream on a sunny day.

For those of you who are new to the blog musicians I discover share suggestions of new, rare and important artists/songs/albums. Along the way other things have also evolved – I invent sporadic new features (for the last month I’ve been posting a happy song every day), review new material and spraff on about new discoveries. Other folks stories are at the heart of why I’ve kept up the writing, I always love reading submissions and love to see that people still reading them.

End ramble: to celebrate and in case you missed them here are some great picks. Click the links to take you to the full articles and music!

The Son(s) recommend Richard Swift and Tim Weary
The Son(s) recommend Richard Swift and Tim Weary

The Son(s) Play…Tim Weary & Richard Swift 

The first ever post I received was from Karl of The Son(s), whose music is beautiful.

Mike!

Mike Nisbet Plays…Townes Van Zandt

I’m slightly ashamed to say I’d never heard of Townes Van Zandt before this post from Mike, who himself is supremely talented. Check out the full read here.

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Adam Stafford Plays…Tommy Johnson

A personal story you’ll remember, a blues record you’ll love. Adam has a new album coming out really soon and it’s a beauty. Keep your eye on Song By Toad for more.

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Olympic Swimmers Play…Richard Youngs 

Without a doubt my favourite picture submitted, Glasgow’s Olympic Swimmers wrote a beautiful piece on Richard Youngs.

Early Birds

Human Pyramids Play…Mum

A close contender in the picture stakes, Human Pyramids shared a love of the glacial Mum.

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State Broadcasters Play…The Bhundu Boys

The tragic story of The Bhundu Boys, retold by Glasgow’s State Broadcasters.

Have a root around for many more great things in the friends and contributors section. Listen, discover, enjoy.

Crushing On: Sparrow and the Workshop

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I was lucky enough to get the new Sparrow and the Workshop album Murderopolis on preview a couple of months ago and since then it’s been on a pretty heavy rotation. What I know about the band is pretty limited, they’re from Glasgow and have been together for sometime and this is their third LP.

The eleven tracker swerves through the fragile – ‘Odessa’- catchy – ‘The Faster You Spin’ – and tempestuous – ‘Shock Shock’, making it  the kind of music you’d happily belt out in the car (that weird girl you see singing at traffic lights? Yeah – moi). Closer ‘Autumn in Winter’ is a sweet addition, crescendos showcasing Jill O Sullivan’s distinctive vocal.

My personal favourite ‘The Glue that Binds Us’, angst with resonance and the perfect break up song.

You can read more and stream it in full at This is Fake DIY, boom.

Out today via Song by Toad records and highly recommended!